Lee entrevista a Emilio Rojas de su trabajo con Freddie Hernandez de La Voz, aquí.
Click Photo to Read Article in New York Times.
Ali Chahrour’s work, explores religion, love, loss, mourning, and memory through music, and the body. Although his performances are steeped in personal experience, he and his collaborators understand that our encounters with religion, love, and loss exist in larger cultural and political contexts. The context that is most important to [...]
Valor y Cambio: Un Proyecto en “Alegría Desconolizada” // Value and Exchange: A Project in “Decolonized Joy”
"Valor y Cambio es un proyecto de arte narrativo, participación comunitaria y economía solidaria iniciado por las artistas Frances Negrón-Muntaner y Sarabel Santos Negrón. Iniciado en Puerto Rico en medio de la crisis económica y actualmente en la ciudad de Nueva York, Valor y Cambio pretende generar una amplia conversación [...]
Aliyeh Ataei tells the story of her time with "The Border Merchant," Mohammad Osman. Osman is a migrant "smuggler" who helps Afghans cross the border into Iran through the Khorasan region between the two countries. https://www.guernicamag.com/the-border-merchant/
Only a few more weeks until festival performances begin! Book your tickets now! Join us November 21 - 24 for installations, dance, interactive theater, and more! https://vimeo.com/370960965
The Live Arts Bard Biennial is happy to announce the opening of a remote Reading Room in collaboration with Wendy's Subway, a non-profit library, writing space, and independent publisher in Brooklyn, New York! If you can't make your way up to Annandale-on-Hudson, stop by Wendy's Subway (located at 379 Bushwick [...]
Thank you to all who came to experience and enjoy Emilio Rojas' Decolonized Feast! // ¡Gracias a todos los que vinieron a experimentar y disfrutar el Banquete Descolonizado de Emilio Rojas! Emilio Rojas, host of the Decolonized Feast & Rebecca Yoshino, Bard Farm Coordinator. Walking through Naturalized Borders [...]
Please join us in congratulating Where No Wall Remains artist and co-curator, Tania El Khoury on being awarded the 2019 New York Dance and Performance Bessie Award for “Outstanding Production,” for her piece, As Far As My Fingertips Take Me! As Far As My Fingertips Take Me, is currently touring [...]
I had the pleasure of talking with Jason de León earlier this week about his work on Hostile Terrain 94 (HT94) and how his syllabus recommendations influenced its creation. Jason described his “formative years” as being heavily steeped in punk rock. A crucible of punk rock in the early 90’s [...]